ABIGAIL HAYNES-LENNOX

ABIGAIL HAYNES-LENNOX

Abigail Haynes-Lennox, soprano, quoted as angelic and stylish in her interpretations of Bach and Mozart, is equally at home with genres ranging from early plainchant to 19th- century melodie to improvised avant-garde. Originally from Bartlett, Tennesseee, she began her vocal studies at Ann Arbor, Michigan, where after finishing her bachelors degree in vocal performance at the University of Michigan, she served as music director for the Wesley Foundation of First Methodist, performed with the Michigan Opera Theater under Stephen Lord, and was a frequent soloist appearing on premier record­ings of contemporary works. In 2007 Lennox completed her master’s degree study in voice at the Yale Institute of Sacred Music where she studied under James Taylor, Ted Taylor, and Judith Malafronte.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

MARC MOLOMOT

Marc Molomot

 Possessed of a rare high-tenor voice and a winning stage persona that comfortably embraces both comedic and dramatic roles, Marc Molomot enjoys an international career in opera and on the concert stage. He is known for his heartfelt portrayal of the Evangelist in Bach’s Passions in the United States and abroad.

Molomot’s recent and upcoming appearances include Purcell’s The Fairy Queen with Chicago Opera Theater and Long Beach Opera, Bach’s Magnificat with Israel Camerata Jerusalem, Beethoven’s Symphony No. 9 with Mobile Symphony Orchestra, and Britten’s Serenade with Omaha Symphony.

His recordings include the January 2017 release of Berg’s Wozzeck with the Houston Symphony, winner of Germany's 2017 Echo Klassik Award for Best Opera Recording (20th/21st century opera), and the Grammy Award–nominated Lully’s Thésée with the Boston Early Music Festival.

Visit Marc on the web at www.schwalbeandpartners.com/marc-molomot-tenor.

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

ELIZABETH BATES

ELIZABETH BATES

Soprano Elizabeth Bates is increasingly in demand as a performer of both early and new music. Based in New York since 2011, she is a regular member of the Choir of Trinity Wall Street. She has also appeared with John Zorn, Bang on a Can All-Stars, the American Composers Orchestra, the American Classical Orchestra, and with the choir of Holy Trinity Lutheran Church for their Bach Vespers series. Solo performances include Handel’s Messiah and Fauré’s Requiem with the Choir of Trinity Wall Street and the Trinity Baroque Orchestra, for which The New York Times described her Pie Jesu as “a limpid, sweetly optimistic plea for eternal rest.” Elizabeth holds both a Bachelor’s and a Master’s Degree in French from Middlebury College.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

Patrick Fennig

PATRICK FENNIG

Praised by the Albuquerque Journal for his “heartfelt intensity of smooth, effortless, bittersweet tones,” countertenor, Patrick Fennig is sought after as both a soloist and choral singer. He has appeared with Fretwork Viol Consort, Orchestra of St. Luke’s, Concert Royal, The American Classical Orchestra, and The Brooklyn Conservatory Orchestra. A choral singer since his days a choirboy at Christ Church Cathedral, Indianapolis, Patrick is a member of The Saint Thomas Choir of Men and Boys Fifth Avenue, and has appeared regularly with Early Music New York, Musica Sacra, Collectio Musicorum, SEM Ensemble and Ekmeles Vocal Ensemble.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

Dominic Inferrera

DOMINIC INFERRERA

Baritone Dominic Inferrera won critical acclaim in the role of The Son in Hugo Weisgall's Six Characters in Search of an Author with Opera Festival of New Jersey, and his performance of Young (Old) Button in John Eaton's "The Curious Case of Benjamin Button” with Center for Contemporary Opera was hailed by the New York Times as "dynamic". Other roles include The Celebrant in Bernstein’s Mass with the Cornell University Theatre, Escamillo in Carmen and Silvio and Marco in Pagliacci/Gianni Schicchi with Opera Delaware, Masetto (Don Giovanni) with Toledo Opera and Annapolis Opera, Lescaut in Opera Memphis's production of Manon Lescaut, Guglielmo in Così fan Tutte with Capital City Opera, Moralès (Carmen) Wagner (Faust), and the Maggiordomo (Vanessa) with Opera Festival of New Jersey, The Swineherd in John Harbison's A Full Moon in March with Encompass Opera Theater, and Hollis in Bill Smith's jazz opera, A Space in the Heart.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

Jacqueline Horner-Kwiatek

JACQUELINE HORNER-KWIATEK

Jacqueline Horner-Kwiatek (mezzo-soprano) is a former member of  Anonymous 4 and is currently Artistic Director of vocal trio ModernMedieval, developing projects that combine early and new music. She has been a guest soloist with many ensembles, including the Washington Bach Consort, Carmel Bach Festival, Ensemble Modern, Ensemble InterContemporain, Locrian,  Ekmeles, Hesperion XXI and DCINY. She has premiered roles in operas both in the UK and the US, most recently The Overseer in Sweat at National Sawdust, and Gertrude Stein in Six. Twenty. Outrageous. at Symphony Space. Jacqueline has a D.M.A. from The Juilliard School and  teaches at Fordham University, Columbia University, BMCC, and maintains a private voice studio. She is also the music director/conductor of the Fordham University Collegium. Her websites are JacquelineHorner.com and ModernMedieval.org.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together.