“And what a glorious noise the TENET ensemble made! From the outset, it was clear not only that these musicians were skilled technicians, but also that they loved the music they were performing.”
Classical Scene
“a statement of soul-baring sincerity that spread effortlessly… and, for an instant, dissolved the line between art and faith.”
The New York Times
Read More“Ms. Greenleaf established TENET as an independent force on the city’s early-music scene, among the most important outside major institutions like Trinity Wall Street and the Juilliard School.”
The New York Times
Read More“...At any rate, the point was driven home the next night by the fresh, strong singing of Tenet. The Green Mountain Project, named for Monteverdi, has made a calling card of his great 1610 Vespers, one performance better than the last.”
The New York Times
Read More“The intimate forces were leveraged less for speed and agility, and more to tune harmonies and diction to an uncanny degree of precision. Every sound was allowed to establish its presence.”
The Boston Globe
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