With a voice of “extraordinary suppleness and beauty" (New York Times), soprano TERESA WAKIM won First Prize at the International Soloist Competition for Early Music, and has performed under the batons of Roger Norrington, Harry Christophers, Martin Haselböck, Ton Koopman, and Nicholas McGegan. Solo engagements include Bach’s Mass in B Minor, St. John Passion, and Magnificat with the Amsterdam Baroque Orchestra,  Bach’s Wedding Cantata and Mendelssohn's Hear My Prayer with the Cleveland Orchestra, Bach's Missa Brevis with the San Francisco Symphony, Bach's Magnificat and St. Matthew Passion with Wiener Akademie Orchester, Mozart's Exsultate Jubilate with the Handel & Haydn Society and New World Symphony, and Handel's Messiah with the Charlotte, San Antonio, Tucson, Alabama, and Houston Symphonies. In addition, she performs often with Apollo's Fire, Vancouver Early Music, Atlanta Baroque Orchestra, Mercury Baroque Orchestra, Pacific Musicworks, Boston Baroque and the Boston Early Music Festival, with whom she has recorded multiple acclaimed recordings, including the 2015 GRAMMY-winning La Descente d'Orphée aux Enfers by M.A. Charpentier.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together.