Sara Couden, contralto, is a graduate of the Metropolitan Opera Lindemann Young Artist Program, as well as the Yale Institute of Sacred Music. Highlights of her 2018-19 season include: Dejainira in Handel’s Hercules at the Staunton Music Festival, Testo in Stradella’s La Susanna with Heartbeat Opera, Israelitish Man in Handel’s Judas Maccabaeus with Philharmonia Baroque, Bach cantatas at the Philadelphia Chamber Music Series, Shostakovich’s From Jewish Folk Poetry with the Chamber Music Series at Lincoln Center, St. Matthew Passion with True Concord Voices, and Messiah with Philharmonia Baroque. Career highlights include: touring Japan with Maestro Masaaki Suzuki in B Minor Mass, “Urlicht” in Mahler 2 with the Santa Cruz Symphony, and Albine in the Metropolitan Opera’s production of Thaïs

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together.