Described by the Atlanta Journal-Constitution as a dignified and beautiful singer, bass-baritone Paul Max Tipton has soloed under such notable figures as Matthias Pintscher, Helmuth Rilling, Nicholas McGegan, and Martin Katz. He recently recorded Nicolaus Bruhns’s solo cantatas for bass for the BIS label, and has appeared in recital with Masaaki Suzuki. Current operatic credits include the role of Archibald Grosvenor in Patience with Odyssey Opera in Boston and Plutone in Monteverdi’s Orfeo with Göteborg Baroque in Sweden. He studied at Yale University with tenor James Taylor and at the University of Michigan with tenor George Shirley, and was made a Lorraine Hunt Lieberson Fellow at Emmanuel Music in 2012.


Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together.