Aaron Sheehan regularly performs in the United States, South America, and Europe. He sang the title role in Boston Early Music Festival’s Grammy Award winning recording of Charpentier’s opera La déscente d'Orphée aux enfers. On the concert stage, he enjoys a reputation as a first rate interpreter of the works of Bach, Handel and Mozart. He has performed at Tanglewood, Lincoln Center, the Metropolitan Museum of Art, Washington National Cathedral, the Early Music Festivals of Boston (BEMF), San Francisco, Vancouver, Washington DC, Carmel, Regensburg Tage Alter Musik, and with Orpheus Chamber Orchestra, American Bach Soloists, Handel and Haydn Society, Boston Baroque, Tafelmusik, North Carolina Symphony, New York Collegium, Charlotte Symphony and Pacific Music Works. His roles with BEMF include L’Amour and Apollon in Lully’s Psyché, Actéon in Charpentier’s Actéon, Orfeo in Monteverdi’s Orfeo, Eurimaco in Il ritorno d’Ulisse in patria, Acis in Handel’s Acis and Galatea and Liberto/Soldato in L’incoronazione di Poppea. He has also performed leading roles in operas by Cavalli, Handel, Weill, and Satie.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together.