ELIZABETH BATES

ELIZABETH BATES

Soprano Elizabeth Bates is increasingly in demand as a performer of both early and new music. Based in New York since 2011, she is a regular member of the Choir of Trinity Wall Street. She has also appeared with John Zorn, Bang on a Can All-Stars, the American Composers Orchestra, the American Classical Orchestra, and with the choir of Holy Trinity Lutheran Church for their Bach Vespers series. Solo performances include Handel’s Messiah and Fauré’s Requiem with the Choir of Trinity Wall Street and the Trinity Baroque Orchestra, for which The New York Times described her Pie Jesu as “a limpid, sweetly optimistic plea for eternal rest.” Elizabeth holds both a Bachelor’s and a Master’s Degree in French from Middlebury College.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

MISCHA BOUVIER
Bass

MISCHA BOUVIER 

Alabama-born baritone Mischa Bouvier continues to impact audiences with his keen musicality, remarkable communicative ability, and a “soothing, cavernous baritone that can soar to heights of lyric beauty” (Opera News). He has performed with a wide array of ensembles including the Orchestra of St. Luke’s, the Boston Pops, The Knights, Musica Sacra, the American Bach Soloists, the Princeton Glee Club, the Mirror Visions Ensemble, Opera in the Heights, the New York Festival of Song, Musica Sacra Maastricht, the Rockport Chamber Music Festival, the Saint Thomas Choir of Men and Boys, Bronx Opera, and Christopher Williams Dance, and with the orchestras of Boston, Alabama, Colorado, Columbus, New Mexico, Stamford, and Northwest Arkansas. Mischa holds degrees from Boston University and the University of Cincinnati’s College-Conservatory of Music, and currently resides on Long Island. 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

ANICET CASTEL
Bass

ANICET CASTEL

In France and over Europe, Anicet Castel has performed regularly on stage and in concert, as a choir member and a soloist, with famous baroque ensembles such as les Arts Florissants, le Concert d'Astrée, le Poème Harmonique, Accentus, Namur chamber choir, Sagittarius, les Cris de Paris...

His collaboration with recognized conductors (William Christie, Emmanuelle Haïm, Vincent Dumestre, Rinaldo Alessandrini, Laurence Equilbey, Christophe Rousset, Leonardo Garcia Alarcon, Jérôme Corréas, Emmanuel Krivine, Peter Phillips...) has let him perform in various renowned halls (opéra Garnier, Théâtre des Champs Elysées, Brooklyn Academy of Music, Alice Tully Hall at Lincoln Center, Royal Albert Hall, Barbican Center, Amsterdam Concertgebouw, Palau de la Musica Catalana...) and has just made his debut at Wigmore Hall in London, performing Bach motets with les Arts Florissants conducted by Paul Agnew.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

SARA COUDEN
Alto

SARAH COUDEN

Sara Couden, contralto, is a graduate of the Metropolitan Opera Lindemann Young Artist Program, as well as the Yale Institute of Sacred Music. Highlights of her 2018-19 season include: Dejainira in Handel’s Hercules at the Staunton Music Festival, Testo in Stradella’s La Susanna with Heartbeat Opera, Israelitish Man in Handel’s Judas Maccabaeus with Philharmonia Baroque, Bach cantatas at the Philadelphia Chamber Music Series, Shostakovich’s From Jewish Folk Poetry with the Chamber Music Series at Lincoln Center, St. Matthew Passion with True Concord Voices, and Messiah with Philharmonia Baroque. Career highlights include: touring Japan with Maestro Masaaki Suzuki in B Minor Mass, “Urlicht” in Mahler 2 with the Santa Cruz Symphony, and Albine in the Metropolitan Opera’s production of Thaïs

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

TYLER DUNCAN
Jesus

TYLER DUNCAN

Canadian baritone Tyler Duncan recently performed at the Metropolitan Opera as Prince Yamadori in Puccini’s Madam Butterfly. At the Spoleto Festival he debuted as Mr. Friendly in the 18th-century ballad opera Flora, returning the next season as the Speaker in Mozart’s The Magic Flute. Other appearances have included the role of the Journalist in Berg's Lulu and Fiorello in Rossini's Barber of Seville, both at the Metropolitan Opera, Raymondo in Handel’s Almira with the Boston Early Music Festival, Dandini in Rossini’s La cenerentola with Pacific Opera Victoria; and Demetrius in Britten’s A Midsummer Night’s Dream at the Princeton Festival. Issued on the CPO label is his Boston Early Music Festival recording of the title role in John Blow’s Venus and Adonis.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

Patrick Fennig

PATRICK FENNIG

Praised by the Albuquerque Journal for his “heartfelt intensity of smooth, effortless, bittersweet tones,” countertenor, Patrick Fennig is sought after as both a soloist and choral singer. He has appeared with Fretwork Viol Consort, Orchestra of St. Luke’s, Concert Royal, The American Classical Orchestra, and The Brooklyn Conservatory Orchestra. A choral singer since his days a choirboy at Christ Church Cathedral, Indianapolis, Patrick is a member of The Saint Thomas Choir of Men and Boys Fifth Avenue, and has appeared regularly with Early Music New York, Musica Sacra, Collectio Musicorum, SEM Ensemble and Ekmeles Vocal Ensemble.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

ANDREW FUCHS
Tenor

ANDREW FUCHS

Tenor Andrew Fuchs recently made his Lincoln Center debut in J.S. Bach’s Magnificat (American Classical Orchestra) and his Kennedy Center debut in Monteverdi’s Vespers of 1610 (The Thirteen). Other highlights include Reich’s Three Tales and Daniel Variations (Ensemble Signal), the premiere of Alexander Goehr’s Verschwindendes Wort (The Juilliard School’s Focus Festival), Evangelist in both the St. Matthew and St. John Passions (Saint Andrew Chorale), and solo appearances with the Mark Morris Dance Group, American Opera Projects, and Lyric Fest. He is an alumnus of the Tanglewood Music Center and the Fall Island Vocal Arts Seminar, and was a finalist in the 2015 Joy In Singing competition. An adept chamber singer, he frequently performs with preeminent ensembles such as TENET, Pegasus Early Music, ARTEK, and New York Polyphony.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

DOUG DODSON
Alto

DOUG DODSON

With a voice hailed as “vivid” (Wall Street Journal) and “unusually sparkling” (Kansas City Star), Doug Dodson is making his mark on opera and concert stages throughout the United States in repertoire ranging from the Baroque to the contemporary. Notable recent engagements include the role of The United Way in the American premiere of Tod Machover’s Death and the Powers with American Repertory Theater, Nireno in Handel’s Giulio Cesare with Boston Baroque, Cupid in Blow’s Venus and Adonis with the Oregon Bach Festival, Speranza in Monteverdi’s L’Orfeo with Pacific MusicWorks, and Ottone in Monteverdi’s L’incoronazione di Poppea at the Aldeburgh Music Festival as a member of the prestigious Britten-Pears Young Artist Programme. A native of Spearfish, SD, Mr. Dodson earned a degree in anthropology from the University of South Dakota and a master's in vocal performance from the University of Missouri - Kansas City.  

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

JOLLE GREENLEAF
Soprano

JOLLE GREENLEAF

 

Hailed as a “golden soprano” and “a major force in the New York early music-scene” (The New York Times), soprano Jolle Greenleaf is one of today’s foremost figures in the field of early music. Balancing a career as a leading soloist and an innovative impresario, she is in great demand both as a guest artist and as the artistic director of TENET Vocal Artists, a premier New York-based ensemble specializing in early music. She is a celebrated interpreter of the music of Bach Buxtehude, Handel, Purcell, and most notably, Monteverdi. She has performed as a soloist in venues throughout the U.S., Scandinavia, Europe, and Central America for important presenters including Vancouver Early Music Festival, Denmark’s Vendsyssel Festival, Costa Rica International Music Festival, Puerto Rico’s Festival Casals, Utrecht Festival, at Panama’s National Theater, and San Cristobal, the Cathedral in Havana, Cuba.

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

STEVEN HRYCELAK
Bass

 

STEVEN HRYCELAK

 

Steven Hrycelak, a bass from Rochester, NY, is equally at home performing early and very new music. He appears regularly with Blue Heron, Pegasus, NYS State Baroque, Publick Musick, Meridionalis, and the Yale Choral Artists, in addition to being a member of the Grammy-nominated Choir of Trinity Wall Street. As for new music, he performs with Ekmeles, Toby Twining Music, the New York Virtuoso Singers, and the SEM Ensemble, among others. As an opera singer, he has performed with Bard Summerscape, Opera Omnia, Musica Nuova, and Union Avenue Opera. He studied at Yale University and Indiana University, and is also a vocal coach/accompanist.

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

Dominic Inferrera

DOMINIC INFERRERA

Baritone Dominic Inferrera won critical acclaim in the role of The Son in Hugo Weisgall's Six Characters in Search of an Author with Opera Festival of New Jersey, and his performance of Young (Old) Button in John Eaton's "The Curious Case of Benjamin Button” with Center for Contemporary Opera was hailed by the New York Times as "dynamic". Other roles include The Celebrant in Bernstein’s Mass with the Cornell University Theatre, Escamillo in Carmen and Silvio and Marco in Pagliacci/Gianni Schicchi with Opera Delaware, Masetto (Don Giovanni) with Toledo Opera and Annapolis Opera, Lescaut in Opera Memphis's production of Manon Lescaut, Guglielmo in Così fan Tutte with Capital City Opera, Moralès (Carmen) Wagner (Faust), and the Maggiordomo (Vanessa) with Opera Festival of New Jersey, The Swineherd in John Harbison's A Full Moon in March with Encompass Opera Theater, and Hollis in Bill Smith's jazz opera, A Space in the Heart.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

HELEN KARLOSKI
Alto

HELEN KARLOSKI

Mezzo-soprano Helen Karloski has been praised for her “genuine mezzo timbre” (Opera News) and a voice “beautifully suited for oratorio” (Santa Fe New Mexican). Ms. Karloski made her Lincoln Center debut in Mozart’s Solemn Vespers with the Mostly Mozart Festival and her Carnegie Hall debut performing Mozart’s Mass in C Minor with the Oratorio Society of New York. Recent appearances include Pergolesi’s Stabat Mater, (Harry Bicket), Dvořák’s Stabat Mater (Omaha Symphony), Der Tag des Gerichts and Beethoven's Ninth Symphony (American Classical Orchestra), Bach’s St. Matthew Passion (St. Andrew Music Society), and Mendelssohn’s A Midsummer Night’s Dream (New York City Ballet). Ms. Karloski was featured on the 2014 GRAMMY-winning recording The Sacred Spirit of Russia. In 2015, she was the First-Place recipient in the Lyndon Woodside Oratorio Solo Competition.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

TIM KEELER
Alto

TIM KEELER

 

Countertenor and conductor Tim Keeler is sought after as a performer and an educator. He has sung with Chanticleer, the Choir of Trinity Wall Street, New York Polyphony, TENET, Gallicantus, and Ekmeles. As an educator, Tim directed the choirs at the Special Music School High School in Manhattan and worked closely with the Young People's Chorus of New York City as a vocal coach and conductor. He was also the choral conductor for Juilliard's new Summer Performing Arts program in Geneva, Switzerland. He holds an AB in Music from Princeton University, an MPhil in Music and Science from Cambridge University, an MM in Choral Conducting from the University of Michigan, and is currently pursuing his DMA in choral conducting at the University of Maryland.

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

Jacqueline Horner-Kwiatek

JACQUELINE HORNER-KWIATEK

Jacqueline Horner-Kwiatek (mezzo-soprano) is a former member of  Anonymous 4 and is currently Artistic Director of vocal trio ModernMedieval, developing projects that combine early and new music. She has been a guest soloist with many ensembles, including the Washington Bach Consort, Carmel Bach Festival, Ensemble Modern, Ensemble InterContemporain, Locrian,  Ekmeles, Hesperion XXI and DCINY. She has premiered roles in operas both in the UK and the US, most recently The Overseer in Sweat at National Sawdust, and Gertrude Stein in Six. Twenty. Outrageous. at Symphony Space. Jacqueline has a D.M.A. from The Juilliard School and  teaches at Fordham University, Columbia University, BMCC, and maintains a private voice studio. She is also the music director/conductor of the Fordham University Collegium. Her websites are JacquelineHorner.com and ModernMedieval.org.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

ENRICO LAGASCA
Bass

ENRICO LAGASCA

Acclaimed to have “a beautiful sound” (New York Times), Philippines born bass-baritone Enrico Lagasca maintains a busy season with repertoire from early to contemporary music both as soloist and chorister. He is a season regular singer in the Choir of St. Ignatius Loyola, Bach Choir of Holy Trinity Lutheran Church, St. Thomas Choir of Men and Boys, Musica Sacra New York, Cathedral Choir of St. John the Divine, Choir of Trinity Wall Street, and The Metropolitan Opera Extra Chorus in New York. Across America, he sings with the Santa Fe Desert Chorale, Conspirare, Ensemble VIII, Skylark Vocal Ensemble, Bach Collegium San Diego, and Seraphic Fire. Appearances in Orchestras and Festivals include the New York Philharmonic Orchestra, Orchestra of St. Luke's, American Classical Orchestra, Pacific Symphony, Israel Philharmonic Orchestra, to name a few, The Salzburg Festival, Oregon Bach Festival, Virginia Arts Festival, Mostly Mozart Festival, Twelfth Night Festival, Bard Summerscape Festival. He has recorded discs with the Philippine Madrigal Singers, ACRONYM, Bach Choir of Holy Trinity, Choir of Trinity Wall Street, American Symphony Orchestra, and Santa Fe Desert Chorale.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

JASON MCSTOOTS
Tenor

JASON MCSTOOTS

 

Reviewers describe Jason McStoots as having an “alluring tenor voice” (ArtsFuse) and as “the consummate artist, wielding not just a sweet tone but also incredible technique and impeccable pronunciation”. (Cleveland Plain Dealer) In 2015 he won a GRAMMY with the Boston Early Music Festival (BEMF) for the music of Charpentier. Solo appearances include Les plaisirs de Versailles (Charpentier), Orfeo, Il ritorno d’Ulisse, 1610 Vespers (Monteverdi), Abduction from the Seraglio (Mozart), Christmas Oratorio, St. Mark Passion (Bach), Dido and Aeneas (Purcell) and Messiah (Handel) with groups such as Boston Lyric Opera, Emmanuel Music, Pacific MusicWorks, San Juan Symphony, Bach Ensemble, Seattle Early Music Guild, Tragicomedia, Tanglewood Music Center, and Blue Heron. Recording credits include Lully's Pysché, Handel’s Acis and Galatea, Blow’s Venus and Adonis and Charpentier’s Acteon with BEMF (CPO), Fischer Vespers (Toccata Classics), and Awakenings with Coro Allegro (Navona). 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

MOLLY NETTER
Soprano

Canadian-American soprano Molly Netter enlivens complex and beautiful music, both old and new, with a "clear, beautiful tone and vivacious personality" (NYTimes). This season includes solo debuts with the Grammy-Award-winning Boston Early Music Festival, Apollo's Fire Baroque Orchestra, the Chicago Symphony Orchestra's MusicNOW series, New York Baroque Incorporated, the Oregon Bach Festival, and the premiere a new work by David Lang at Carnegie Hall next November. Molly has performed as a soloist with the Choir of Trinity Wall Street (in which she is a full-time member), the Clarion Music Society, the Smithsonian Chamber Orchestra, the Albany Symphony, Yale Opera, and with Juilliard415 at Lincoln Center. Molly has toured internationally with with the Triplepoint contemporary/jazz ensemble and as a soloist in Japan, Singapore and Burma under Masaaki Suzuki.

Ms. Netter holds an ad hoc Bachelor of Music degree in composition and contemporary voice from Oberlin Conservatory and a Master’s degree in early music voice and oratorio from the Yale Institute of Sacred Music where she studied with James Taylor. Between degrees, she taught English in Kyoto, Japan.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

MOLLY QUINN
Soprano

MOLLY QUINN

Hailed for her “radiant sweetness” by The New York Times, Molly Quinn has garnered praise for her thought provoking and delightful interpretation of music from the medieval to the modern. She has collaborated with notable arts organizations around the globe including the Knights NYC, TENET Vocal Artists, Portland Baroque Orchestra, Apollo’s Fire, Folger Consort, Bang on a Can All-Stars, Trinity Wall Street, Ascension Music, Clarion Music Society, Saint Thomas Fifth Avenue, Pacific Baroque Orchestra, North Carolina Baroque Orchestra, Seraphic Fire, Ensemble VIII, Bach Collegium San Diego, Quicksilver Ensemble, and Acronym. Molly has also garnered acclaim for her work crossing genres in classical, folk, and contemporary music. She was dubbed "pure radiance" by The Los Angeles Times for her work with Bang on a Can All-Stars in Steel Hammer. She is a festival soloist at the Staunton Music Festival, and  appears as a featured soloist at the Carmel Bach Festival. She was a featured soloist on Trinity wall Street’s Grammy Nominated recording of Handel’s Israel in Egypt. She has performed as a soloist in international venues Shostakovich Hall in St Petersburg, Teatro National de Costa Rica, the Arts Center of NYU Abu Dhabi in the United Arab Emirates, Vancouver’s Chan Centre, San Cristobal Cathedral in Havana, Cuba and the Carmen Alto Convent in Quito, Ecuador. 

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

MARGOT ROOD
Soprano

MARGOT ROOD

Soprano Margot Rood performs a wide range of repertoire. Recent and upcoming appearances include those with Cleveland Orchestra, Boston Symphony Orchestra, New World Symphony, Seraphic Fire, A Far Cry, Boston Modern Orchestra Project, Rhode Island Philharmonic, Blue Heron, Lorelei Ensemble, Tenet, Cape Symphony, Bach Collegium San Diego, Grand Harmonie, as well as onstage with Boston Early Music Festival, Monadnock Music, and St. Petersburg Opera. Ms. Rood is the recipient of prestigious awards including the St. Botolph Emerging Artist Award (2015), the Lorraine Hunt Lieberson Fellowship at Emmanuel Music (2015), and The American Prize (3rd place, 2016). Her debut solo recording with composer Heather Gilligan, Living in Light, is now available from Albany Records.

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

JAMES REESE
Tenor

JAMES REESE

James Reese is a young tenor whose singing has been praised for its “intensity and sensitivity...spirituality and eloquence.” (Chestnut Hill Local) Recent and upcoming credits include performances with Philharmonia Baroque Orchestra, the Calgary Philharmonic, Gamut Bach Ensemble, and Masaaki Suzuki and Juilliard415. In May 2018, he made his Carnegie Hall solo debut in Bach's B Minor Mass with the New York Choral Society, of which The New York Classical Review wrote, “Reese’s high, easy tenor...floated beautifully on its own over the long, gentle lines of the Benedictus.” James sings frequently with leading American choruses, including The Crossing, Santa Fe Desert Chorale, and Seraphic Fire. He is a founding member of vocal sextet Variant 6 (variantsix.com). He holds degrees from Northwestern University’s Bienen School of Music and Yale University’s Institute of Sacred Music. www.jamesreesemusic.com

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together.