DANIEL SWENBERG

DANIEL SWENBERG

Daniel Swenberg specializes in historical plucked strings: Renaissance and Baroque lutes, theorbos, Baroque and 19th century guitars, and Baroque mandolino—and yes, it takes a lot of time to tune them. He performs regularly throughout North America with ensembles such as Artek, Rebel, the Metropolitan Opera, the Carmel Bach Festival, Mr. Jones & the Engines of Destruction, Ensemble Viscera, New York City Opera, Opera Atelier/Tafelmusik, Catacoustic Ensemble, the Four Nations Enmble, Apollo’s Fire, the Green Mountain Project, and with soprano Nell Snaidas. He has accompanied Renee Fleming and Kathleen Battle at Carnegie Hall. Daniel received awards from the Belgian American Educational Foundation (2000) for a study of 18th century chamber music for the lute, and a Fulbright Scholarship (1997) to study in Bremen, Germany, at the Hochschule für Künste (studying with Stephen Stubbs and Andrew Lawrence King). He studied previously with Pat O’Brien at Mannes College of Music, receiving a Masters Degree in Historical Performance (Lute).
 

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together.