Adam Cockerham

ADAM COCKERHAM

Early music artist Adam Cockerham specializes in theorbo, lute, and baroque guitar. He has performed with ensembles such as Trinity Baroque Orchestra, NOVUS NY, Philharmonia Baroque Players, New York Baroque Incorporated, El Mundo, and J415. He has been involved in modern world premiere performances of 17th-century operas with companies such as Innsbrucker Festwochen der Alten Musik (Le nozze in sogno), Ars Minerva (La Cleopatra, Le Amazzoni nelle isole fortunate, La Circe), and world premiere performances of new operas with companies like the Prototype Festival (Pulitzer Prize-winning Angel’s Bone) and Opera Saratoga (A Long Walk). Cockerham is currently a doctoral candidate at The Juilliard School. Partnering with acclaimed mezzo-soprano Danielle Sampson, he founded voice and guitar/lute duo Jarring Sounds, which released its first album in 2014. 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

JESSICA TROY

JESSICA TROY

Jessica Troy, viola, wears a variety of freelance hats. Since 1998 she has toured extensively with the Mark Morris Dance Group Music Ensemble, from San Juan to Sydney, and appeared with Yo-Yo Ma across the US and Japan. On baroque viola, ensembles she performs frequently with include: the Sebastians, Trinity Baroque Orchestra, Opera Lafayette, Concert Royal, Helicon, and the 4 Nations Ensemble; she has guested with Anima Eterna Brugge, and appeared with Renée Fleming on the David Letterman Show. A member of the Orchestra of St. Luke’s, the New York City Opera Orchestra, and the Westchester and Brooklyn Philharmonics, she performs frequently with many other area ensembles, including the Mostly Mozart Festival Orchestra and NOVUS NY. She has recorded quartet parts for Lou Reed and Ani DiFranco, performed on TV with Whitney Houston, and on film with David Byrne. A participant at many illustrious music festivals, including Tanglewood, Spoleto, and Marlboro, she can be heard on Marlboro’s 50th anniversary CD in György Kurtág’s Microludes for string quartet, which she prepared with the composer.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

DONGMYUNG AHN

DONGMYUNG AHN

 

Period violinist Dongmyung Ahn is a performer, educator, and scholar, whose interests span from the twelfth to eighteenth centuries. She is co-founder of Guido’s Ear and regularly performs with the Sebastians, TENET, Early Music New York, Green Mountain Vespers, Pegasus, Clarion, and Bach Vespers. She has also played the rebec in the The Play of Daniel at the Cloisters. A dedicated educator, Dongmyung is the director of the Queens College Baroque Ensemble and has taught music history at Vassar College and Queens College. She is a Ph.D. candidate in musicology at the Graduate Center, CUNY, and has published an article on medieval liturgy in the Rodopi series Faux Titre.

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

KIVIE CAHN-LIPMAN

KIVIE CAHN-LIPMAN

Kivie Cahn-Lipman is the founding cellist of the International Contemporary Ensemble (ICE), a founding gambist of LeStrange Viols, and the founder and lironist of ACRONYM. He has recorded for Nonesuch, Naxos, Kairos, Mode, New Focus, New Amsterdam, New World, Tzadik, ArsPublica, Tundra, Starkland, Olde Focus, Canteloupe, Stradivarius, and ECM, and his recording of J.S. Bach's Cello Suites was praised for its "eloquent performances," "fresh thinking," and "energy and zeal" (The Strad). Kivie holds degrees from Oberlin, Juilliard, and CCM, and he has served on the faculties of Smith and Mount Holyoke Colleges and The College of New Jersey. He is an Assistant Professor of Music at Youngstown State University's Dana School of Music.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

DAVID FALLIS

DAVID FALLIS

David Fallis is a Canadian conductor renowned for his work in both early and contemporary music. As Artistic Director of the Toronto Consort, Canada’s leading ensemble specializing in the music of the Middle Ages and Renaissance, he has toured extensively in Canada, the US and Europe, and has led the ensemble in their numerous projects and recordings. As Music Director of Toronto’s Opera Atelier he has led critically-acclaimed productions of major operas by Mozart, Handel, Lully and Monteverdi in Toronto, France, Japan, Singapore, South Korea and the United States. He has conducted at the Royal Opera House in Versailles, the Luminato Festival, the Glimmerglass Festival, the Singapore Festival, Early Music Vancouver, Houston Grand Opera, the Seoul Arts Centre, Cleveland Opera, Wolftrap Theater, Utah Opera, and in major opera houses in Japan. He directs Soundstreams Choir 21, a vocal ensemble specializing in contemporary choral music, and teaches in the Graduate Department of the Faculty of Music at the University of Toronto.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

JEFFREY GROSSMAN

JEFFREY GROSSMAN

Keyboardist and conductor Jeffrey Grossman specializes in vital, engaging performances of music of the past, through processes that are intensely collaborative and historically informed. This season, Jeffrey directs from the keyboard selected concerts with the Sebastians and TENET, and returns to the St. Paul Chamber Orchestra as featured harpsichord soloist in Bach's Brandenburg Concerti. In addition to serving as artistic director of the acclaimed baroque ensemble the Sebastians, Jeffrey also performs this year with the Green Mountain Project, Chamber Music Northwest, Quodlibet, and the Bach Players of Holy Trinity. Jeffrey can be heard on the Avie, Gothic, Naxos, Albany, Soundspells, Métier, and MSR Classics record labels. A native of Detroit, Michigan, he holds degrees from Harvard College, the Juilliard School, and Carnegie Mellon University.

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

HANK HEIJINK

HANK HEIJINK

 

Lutenist Hank Heijink (pronounced Hey-ink) has played all over the world with leading ensembles such as the Amsterdam Baroque Orchestra, European Union Baroque Orchestra, Orchestre d’Auvergne, TENET, Mark Morris Dance Group and the Wooster Group, among others. He is in high demand as an accompanist on theorbo, lute and guitar, and his playing has been described as “eloquent” (Wall Street Journal) and “deft and sensitive” (New York Times). He can be heard on TENET's recent CD “A Feast for the Senses” and on Green Mountain Project’s live recording of Claudio Monteverdi’sVespers of 1610. Mr. Heijink holds a performance degree from The Hague’s Royal Conservatory (the Netherlands), as well as a degree in computer science, and a PhD in social sciences. When not playing lute, he writes software for the iPhone.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

PRISCILLA HERREID

PRICILLA HERREID

Priscilla Herreid plays early oboes and recorder with Trinity Baroque Orchestra, The Handel + Haydn Society, The Sebastians, Tempesta di Mare, and New York Baroque Inc., and has performed with Portland Baroque, Philharmonia Baroque, Boston Baroque, Venice Baroque, Les Délices, Juilliard Baroque, and Mr. Jones and the Engines of Destruction. She can be heard playing all manner of earlier wind instruments with Piffaro, Hesperus, The Gabrieli Consort, Ex Umbris, The Waverly Consort, The City Musick, The Dark Horse Consort, The Rose Ensemble, and The Bishop's Band. Priscilla was part of the onstage band for the Shakespeare on Broadway productions of Twelfth Night and Richard III, starring Mark Rylance. She is a graduate of Temple University and The Juilliard School.

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

GREG INGLES

GREG INGLES

 

Greg Ingles attended the Interlochen Arts Academy and went on to graduate from the Oberlin Conservatory. Two days after graduation Greg won the position of Solo Trombone in the Hofer Symphoniker in Hof, Germany. He returned to the United States and completed both a Master’s and Doctoral degree in trombone performance at SUNY Stony Brook, specializing in historic performance. Greg is a member of Piffaro, Quicksilver and Ciaramella and has played with such ensembles as the American Bach Soloists, Chatham Baroque, Concerto Palatino, The Handel and Haydn Society and Tafelmusik.  He is Music Director of the Dark Horse Consort, an ensemble devoted to rarely performed brass music of the 17th century. He recently played with the Globe Theater in their Broadway debut. He is currently the Lecturer in Sackbut at Boston University and teaches at the Madison Early Music Festival each summer.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

SHIRA KAMMEN

SHIRA KAMMEN

Multi-instrumentalist Shira Kammen has spent much of her life exploring the world of early music. A member for many years of the early music Ensembles Alcatraz and Project Ars Nova, and Medieval Strings, she has also worked with Sequentia, Hesperion XX, the Boston Camerata, the Balkan group Kitka, the King’s Noyse, the Newberry and Folger Consorts, Parthenia, Anonymous IV, Rose of the Compass, the Oregon, California and San Francisco Shakespeare Festivals, singer Anne Azema, storyteller Patrick Ball, clown Jeff Raz, among many other fine performers, and is the founder of Class V Music, an ensemble dedicated to providing music on river rafting trips. She has performed and taught in the United States, Canada, Mexico, Europe, Israel, Morocco, Latvia, Russia, Abu Dhabi and Japan.

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

DANIEL LEE

DANIEL LEE

Award-winning violinist Daniel S. Lee enjoys a varied career as a soloist, leader, collaborator, and educator. Praised for his “ravishing vehemence” and “soulful performance” (New York Times), he has appeared as a soloist and leader with Early Music New York, Freiburg Baroque Orchestra, Quodlibet Ensemble, and Yale Schola Cantorum, among others. As the core violinist of the Sebastians, the critically-acclaimed period ensemble that he founded and co-directs, he won the Audience Prize at the 2012 Early Music America Baroque Performance Competition, and was a finalist of the 2011 York Early Music International Competition. A piccolo violin specialist, he has performed as a soloist in Bach’s Brandenburg Concerto No. 1 and Cantata 140, and has given the modern-day premiere of his own transcription of Johann Pfeiffer’s concerto. He has studied at the Juilliard School (B.M.), Yale School of Music (M.M. and Art.Dip.), and University of Connecticut (D.M.A), and has given lectures and masterclasses at Connecticut College, Manhattan School of Music, Purchase College (SUNY), University of Kansas, and University of North Carolina at Chapel Hill. He was recently appointed as a faculty member at Yale School of Music. www.danielslee.com.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

LIZA MALAMUT

LIZA MALAMUT

Liza Malamut regularly appears as a sackbut specialist with the country's premier early music groups. Recent engagements have included performances with Apollo's Fire, Boston Baroque, The Boston Camerata, Trinity Wall Street Choir and Orchestra, Piffaro, and many more. Liza holds degrees from the Eastman School of Music and Boston University. She is currently a candidate for the degree of Doctor of Musical Arts in Historical Trombone at Boston University, where she studies with Greg Ingles.  Liza is the recipient of a 2017-2018 American Dissertation Fellowship from the American Association of University Women for her work on the integration of early trombone literature with mainstream pedagogy.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

ROBERT MEALY

ROBERT MEALY

One of America’s leading historical string players, Robert Mealy has recorded and toured a wide variety of repertoire with many ensembles both here and in Europe, including Les Arts Florissants, Tafelmusik, Sequentia, the Boston Camerata, and the American Bach Soloists. Mr. Mealy is principal concertmaster at Trinity Wall Street and the orchestra director of the Boston Early Music Festival Orchestra; he received a Grammy for his work with the festival. A devoted chamber musician, he co-directs the acclaimed 17th-century ensemble Quicksilver. He recently completed a series of concerts surveying the obbligato sonatas of J.S. and C.P.E. Bach in Washington at the Smithsonian, and directed and programmed a series of medieval programs exploring secular lyric for TENET. Committed to education as well as performing, he directs Juilliard’s Historical Performance program, where he joined the faculty in 2009. From 2003 to 2015 he taught at Yale University, directing the postgraduate Yale Baroque Ensemble and the Yale Collegium Musicum. Prior to that, he taught at Harvard for over a decade and founded the Harvard Baroque Chamber Orchestra. In 2004, he received Early Music America’s Binkley Award for outstanding teaching and scholarship. He has recorded over 80 CDs on most major labels. 

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

KYLE MILLER

KYLE MILLER

Violist Kyle Miller made his concerto debut in 2005 with the Reading (Pennsylvania) Symphony Orchestra as 'the dog' in P. D. Q. Bach’s Canine Cantata, 'Wachet Arf!'. A founding member of ACRONYM, Diderot String Quartet, and New York Baroque Incorporated, Kyle also has appeared in concert with Apollo's Fire, Clarion Orchestra, the English Concert, Four Nations Ensemble, House of Time, Mercury, Quodlibet Ensemble, the Sebastians, Tafelmusik Baroque Orchestra, and Trinity Baroque Orchestra. Kyle was recently selected to be an English Concert American Fellow, and he has performed at the Carmel Bach Festival.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

AISSLINN NOSKY

AISSLINN NOSKY

photo by Liz Linder <BACK TO ARTISTS

photo by Liz Linder

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Aisslinn Nosky was appointed Concertmaster of the Handel and Haydn Society in 2011 and is in demand internationally as a director and soloist. Recent collaborations include Holland Baroque, the Orchestra of the Age of Enlightenment, and the New Zealand Symphony Orchestra. In 2016 Aisslinn was appointed Principal Guest Conductor of the Niagara Symphony Orchestra. 

Aisslinn is a member of I FURIOSI Baroque Ensemble. This innovative Canadian ensemble presents its own edgy and inventive concert series in Toronto and has toured Europe and North America turning new audiences on to Baroque music. With the Eybler Quartet, Nosky explores repertoire from the first century of the string quartet literature on period instruments. From 2005 through 2016, Aisslinn was a member of Tafelmusik Baroque Orchestra.

 

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

JOHANNA NOVOM

JOHANNA NOVOM

A first prize winner of the ABS' Young Artist Competition, violinist Johanna Novom has been Associate Concertmaster of Apollo's Fire since completion of her Master's degree at Oberlin Conservatory. She appears with ensembles such as the American Bach Soloists, Trinity Wall Street Baroque Orchestra, Concert Royal, Washington Bach Consort, Clarion Music Society, Chatham Baroque, the Sebastian Chamber Players, and is a founding member of the Diderot String Quartet, a new ensemble dedicated to the performance of 18th and early 19th century quartets on period instruments. Regular festival engagements include the Boston Early Music Festival and the Carmel Bach Festival. Johanna was a 2010-11 fellowship member of the Yale Baroque Ensemble under the direction of Robert Mealy.

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

ALEXANDRA OPSAHL

ALEXANDRA OPSAHL

Alex Opsahl studied recorder with Peter Holtslag and Daniel Bruggen at the Royal Academy of Music, and cornetto with Bruce Dickey at the Schola Cantorum Basiliensis.  Alex has performed with the Amsterdam Baroque Orchestra under Ton Koopman, the Orchestra of the Age of Enlightenment, Boston Early Music Festival, the Green Mountain Project,the Oslo Opera and Glyndebourne Opera. She recorded Vivaldi’s Concerto in C Minor, RV 441, with the Norwegian period orchestra Barokkanerne, and recently recorded the JD Berlin cornetto concerto  with the Norwegian Baroque Orchestra.

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

MACK RAMSEY

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MACK RAMSEY

Mack Ramsey has been a life-long specialist in performance on early instruments, playing sackbut, recorder, Renaissance flute and classical era trombones. He is a member of Dark Horse Consort and the Boston Shawm and Sackbut Ensemble and has often appeared with other wind bands such as Piffaro Renaissance Band and The Whole Noyse. At home in the Boston area he plays with Boston Baroque and Handel and Haydn Society. In 2015 he appeared with Dark Horse Consort in several Boston Early Music Festival productions. He frequently travels to perform in other ensembles as well, including New York’s Green Mountain Project, Tafelmusik Baroque Orchestra, The Toronto Consort, Mercury Houston, Opera LaFayette, Trinity Baroque Orchestra, and Clarion Society Orchestra.

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

ERIK SCHMALZ

ERIK SCHMALZ

 

Erik Schmalz, an early brass specialist, works internationally with prestigious ensembles including Tafelmusik, Ciaramella, Green Mountain Project, The Toronto Consort, and Dark Horse Consort.  He can be heard on numerous recordings, including a 2013 Grammy-nominated album by The Choir of Trinity Wall Street and The Trinity Baroque Orchestra, performing on period trombones, renaissance slide trumpet and recorder.  This versatility led to him being cast as one of the seven instrumentalists in the recent Globe Theater's productions of Richard III and Twelfth Night, the first time Broadway has used period instruments exclusively. Erik received degrees in trombone performance from Oberlin Conservatory of Music and the University of Cincinnati College-Conservatory of Music. He resides in Collinsville, Connecticut where he also teaches early and modern low brass privately.

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together. 

EZRA SELTZER

EZRA SELTZER

Lauded for his “beauty of tone and keenness of musicianship” (Opera Britannia), cellist Ezra Seltzer has performed as guest principal cellist of the St. Paul Chamber Orchestra, Musica Angelica, Orchester Wiener Akademie, and the Trinity Wall Street Baroque Orchestra. He has also appeared as a soloist and principal cellist at the Boulder Bach Festival, and is the associate principal cellist at the Carmel Bach Festival. In New York, he regularly performs chamber music at Helicon Foundation Symposia, the 4x4 Baroque Music Festival, and at Music Before 1800, and is a co-founder and principal cellist of the Sebastians. This season he will also appear with the Portland Baroque Orchestra, Chicago's Baroque Band, and New York Baroque Incorporated.

 

Beth Beauchamp

Having worked as a professional musician, a music-educator, and the Executive Director of a number of non-profit arts organizations, Beth has over 10 years of experience in catering to the unique needs of artists. Beth believes that the talent, education, and skill-sets of her clients have inherent worth. As a passionate artist advocate, she aims to help her artists improve the quality of their own lives by encouraging them to honor the value of their own work, and by creating materials which allow them to champion their art with confidence. Equally interested in building community, Beth aims to create a roster of artists who are excited to support and collaborate together.